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Mozart & Contemporaries (CD)
VĆkingur Ćlafssonās thought-provoking programme for Mozart & Contemporaries features some of his favourite Mozart keyboard works juxtaposed with pieces by a selection of the composerās leading contemporaries: Carl Philipp Emanuel Bach (1714ā1788); Joseph Haydn (1732ā1809); Baldassare Galuppi (1706ā1785); and Domenico Cimarosa (1749ā1801).
āFar from the glowing image of the angelic prodigy, the music on this album is mostly by the Mozart of the 1780s, a grown man and a mature composer ā who in the preceding years had come to know adversity,ā explained VĆkingur Ćlafsson. āThis is the period when Mozart was not just perfecting the Classical tradition but subtly subverting it, his graceful touch as featherlight as always but the shadows darker, the nuances and ambiguities more profound.ā
āFar from the glowing image of the angelic prodigy, the music on this album is mostly by the Mozart of the 1780s, a grown man and a mature composer ā who in the preceding years had come to know adversity,ā explained VĆkingur Ćlafsson. āThis is the period when Mozart was not just perfecting the Classical tradition but subtly subverting it, his graceful touch as featherlight as always but the shadows darker, the nuances and ambiguities more profound.ā
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VĆkingur Ćlafssonās thought-provoking programme for Mozart & Contemporaries features some of his favourite Mozart keyboard works juxtaposed with pieces by a selection of the composerās leading contemporaries: Carl Philipp Emanuel Bach (1714ā1788); Joseph Haydn (1732ā1809); Baldassare Galuppi (1706ā1785); and Domenico Cimarosa (1749ā1801).
āFar from the glowing image of the angelic prodigy, the music on this album is mostly by the Mozart of the 1780s, a grown man and a mature composer ā who in the preceding years had come to know adversity,ā explained VĆkingur Ćlafsson. āThis is the period when Mozart was not just perfecting the Classical tradition but subtly subverting it, his graceful touch as featherlight as always but the shadows darker, the nuances and ambiguities more profound.ā
āFar from the glowing image of the angelic prodigy, the music on this album is mostly by the Mozart of the 1780s, a grown man and a mature composer ā who in the preceding years had come to know adversity,ā explained VĆkingur Ćlafsson. āThis is the period when Mozart was not just perfecting the Classical tradition but subtly subverting it, his graceful touch as featherlight as always but the shadows darker, the nuances and ambiguities more profound.ā











