The Danish String Quartet’s new album is a “retracing of musical pathways across the North Sea, a journey through the sounds of traditional music from Northern Europe, taking us from Denmark and Norway to the Faroe Islands, and to Ireland and England.” It follows on from Last Leaf, the Danish String Quartet’s much-loved 2017 release, which was Classical Album of the Year at NPR and a best of the year selection at publications from the New York Times to Gramophone.

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Keel Road underlines the group’s statement that “folk tunes are not just a part of our repertoire, but an important element of our identity as musicians.” Subtly integrated into the flow of the recording, alongside the traditional material, are original compositions by Rune Tonsgaard Sørensen and Fredrik Schøyen Sjölin, eloquently expressive in a folk idiom. Other highlights include the DSQ’s beguiling arrangements of four compositions by Turlough O’Carolan, legendary harper from Ireland’s County Meath.

In total, the journey illuminates musical affinities as well as distinctions, for while folk music “represents local traditions and local stories, it is also the music of everywhere and everyone.” Keel Road was recorded at Copenhagen’s Village Recording Studio in November 2022, and mixed at Munich’s Bavaria Musikstudios in March 2024. “Folk tunes are not just a part of our repertoire, but an important element of our identity as musicians” - The Danish String Quartet

Keel Road is the latest chapter in the Danish String Quartet’s reckoning with music from – or inspired by – northern folk and traditional sources, rounding off a decade of sustained engagement with the genre. Wood Works, issued in 2014 on the Danish Dacapo label gave notice of the extent of the DSQ’s commitment to folk, explored in parallel with their classical activities, and Last Leaf, released in 2017 on ECM New Series took the story further. A resounding success with press and public, Last Leaf ranked high amongst albums of the year at NPR, The New York Times and Gramophone, the latter magazine suggesting this might be “the best album of folk ditties from a string quartet you’ll ever hear”, an assertion now challenged by Keel Road.

Once again, the group casts its associative net wide: “We set out on a musical journey that traverses the North Sea. For centuries, the main communication channel of Northern Europe, the highway and the internet of bygone eras. And even though known for its swift upsurges and strong gales, brave sailors would again and again travel the keel road, enabling a continuous exchange of goods, culture and music. The musical keel road of this album will take us from Denmark and Norway to shores far away: to the Faroe Islands, to Ireland and England.” The journey illuminates musical affinities as well as distinctions. “While folk music represents local traditions and local stories, it is also the music of everywhere and everyone. At the end of the day, our stories and our music remain closely connected.“